Real and Intellectual Property

Ownership as architecture — protected, transferable, defensible.

What this discipline is · 01

The discipline.

Track A practice areas include residential and commercial real estate, financing, leasing, land use, real estate trusts. Track B practice areas include trademark prosecution and enforcement, copyright registration and licensing, patent counseling, IP licensing transactions, brand strategy. Creative-field clients (musicians, filmmakers, fine artists) may enter through Track B but often have Track A holdings worth coordinating.

Real and Intellectual Property is the discipline of protecting what a person owns — whether the asset is a brownstone, a screenplay, a patent, or a master recording. The two run on parallel tracks. Track A is real property: closings, title, financing, leases, the physical things people can stand inside. Track B is intellectual property: trademarks, copyrights, patents, licensing, brand strategy — the things that exist only because the law says they do. Both tracks share the same questions. Who owns it. How is it transferred. How is it taxed. How is it defended when someone else wants it.

The reason they sit together is that most clients who can afford serious counsel own property in both registers. A founder owns a building and a portfolio of trademarks. A musician owns a recording catalog and a country house. A collector owns a gallery and the works inside it. We treat the two as one discipline because the planning is one conversation.

Practice areas · 02

Practice areas commonly used here.

A practice is a discrete unit of work — a filing, a closing, a transaction. The discipline is the broader lens. Each practice area below is informed by this discipline; many also draw on others through the matrix below.

Cross-discipline · 04

Where this connects.

How this discipline draws on the others. Engagements rarely sit in one row of the matrix; counsel composed across rows is the point.

Ownership as architecture — protected, transferable, defensible.

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